Ref. 1801

L’Escalier de Cristal

Designer and Art Objects Editor
(attributed to)

Elegant Pot-Pourri

Circa 1880

Porcelain, Gilded bronze

Height : 33 cm (12,9 in.) ; Length : 36 cm (14,1 in.) ; Width : 23 cm (9 in.)

Large enameled porcelain pot-pourri decorated with vines on a background of rose petals. The set is embellished with an elegant mount in chiseled and gilded bronze formed by an openwork gallery on the collar, windings and foliage forming the handles and the base, all surmounted by a shell-shaped grip.

Related work

IMG_20230526_182835 copie

Drawing from Henry Pannier’s Carnet Bleu, showing a model of pot-pourri similar to ours. (reproduced in “L’Escalier de Cristal, Le luxe à Paris 1809-1923”, Annick et Didier Masseau, Editions Monelle Hayot, 2021, p.242)

Wallace Collection F115 & F116

This perfume burner is inspired by a pair of similar perfume burner, in Chinese porcelain and French mounts circa 1745, exhibited at the Wallace Collection in London (inv. F115 et F116).


“L’Escalier de Cristal”, an old and famous Parisian firm, specialized in glass products and ceramics but also suggested furniture and bronze sculptures. It was led from 1885 to 1923 by Emile Pannier’s sons, who gave the name of Pannier Frères to the society, located at the corner of Scribe street and Auber street, next to the new built Paris Opera house. Their Japanese style creations were among many others much appreciated by the critics and the public. They were awarded many medals at various exhibitions, such as the Gold medal at the 1900 Paris Universal Exhibition.
Lots of artists participated in that world success, such as Emile Gallé, who gave to Pannier Frères the exclusive rights of some of his models, or François-Eugène Rousseau, who designed many vases and gave the model of his successful Japanese style dining-set as well. This set was made by the Creil et Montereau Manufacture. In the Japanese style furniture branch, many famous makers such as Majorelle from Nancy, Edouard Lièvre or Gabriel Viardot worked for Pannier Frères. Some pieces are to be seen in the greatest museums: the Ermitage in Saint-Petersburg, the Orsay Museum in Paris, the Corning Museum of Glass in New York.
The Maison “L’Escalier de Cristal” was sometimes the exclusive owner of the models and then those pieces were just signed by “L’Escalier de Cristal” or sometimes beside the artist signature. But “L’Escalier de Cristal” was also very creative, completing pieces with superb gilded bronzes, glass or enameled panels and often including authentic Japanese or Chinese elements.

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