G. Viardot

Cabinet-maker
(1830-1906)
(attributed to)

Pair of « Pagoda » Tables

France
Circa 1880 

Tinted alder, Mother-of-pearl, Gilded bronze

Table 1 – Height : 89 cm (35 in.) ; Length : 72 cm (28,3 in.) ; Width : 41,5 cm (16,3 in.)
Table 2 – Height : 89 cm (35 in.) ; Length : 70 cm (27,5 in.) ; Width : 40 cm (15,7 in.)

Beautiful pair of Japanese-inspired « pagoda » tables in tinted and carved alder. A gilded bronze dragon wraps around the edge of each tray, one adorned with mother-of-pearl lowers and butterflies in a cartouche surrounded by engraved bamboo branches, the other decorated with mother-of-pearl pagodas and flowery fence in cartouches surrounded by cherry branches and stylized engraved motifs.

Adorned on the belt with a frieze of geometrical interlacing, both rest on four feet ending by sphere-mounted claws, mounted at the corners with gilded bronze lion masks, reunited by a stretcher supporting shelves.

Biography

Gabriel Viardot career began as a wood carver and he produced small furniture, sculpturally carved with naturalistic motifs and animals. In the 1855 Universal Exhibition in Paris, his finely sculpted objects were well received. However, with the increasing importation of similarly produced Swiss and German articles, he found less opportunity for these and decided to innovate. G. Viardot succeeded to his father’s business in 1861 installed rue Rambuteau in Paris. Around 1870 he turned to the idea of producing « Meubles genre Chinois et Japonais ». The taste in Europe for exotic furniture, incorporating sometimes authentic Chinese or Japanese objects was well established. But Viardot early designed his own models enriched with ivory, mother-of-pearl and beautiful gilt-bronze mounts. After having won four medals at the Paris Universal Exhibition of 1867, Viardot was awarded a silver medal at the 1878 Universal Exhibition in Paris. He was also awarded gold medals several times : Universal Exhibitions in Anvers (Belgium) in 1884, and again in Paris in 1889 and 1900. A contemporary commentator notes that he had a workshop employing approximately 100 men, both sculptors and cabinet-makers with another 25 to 30 outside contract workers. « l’Escalier de Cristal », the famous Parisian offering luxurious furniture got the exclusivity to use their own stamp on six Viardot’s furniture models.

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