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Ref. 419/1

F. Levillain



F. Barbedienne



A neo-Greek jardinière

Signed F. Barbedienne


Circa 1880

Height : 25 cm (9 3/4 in.) ; Width : 36 cm (14 in.) ; Depth : 22 cm (8 2/3 in.)

The Sacrifice jardiniere is listed in the catalog published by Barbedienne in 1880. A picture of this model is preserved at the prints and photographs department of the France National Library (Levillain Fa57, p.85).

A fine Greek style two handled « jardinière » made of gilded and patinated bronze. The body decorated in frieze and low-relief with male and female figures walking in procession with offerings, with lion’s heads coming in between. Reposing on a palmettes ornated piedouche and resting on a red Griotte marble base.


Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps, cups, vases and candelabras on his stands. Levillain was overwhelmingly triumphant at the 1878 Universal Exhibition in Paris, where he was unanimously awarded the gold medal for his creations in the Classical style. The famous bronze caster Servant (1828-c.1890) declared in the report of the jury for Artistic Bronzes that the work of Levillain « chased like the finest jewels » and « so diverse and pure of form (…) are of the highest degree of perfection ». After receiving a first class medal at the 1884 Salon for a cup entitled « The Elements, the Months and the Seasons », Ferdinand Levillain went on to win a silver medal at the 1889 Universal Exhibition in Paris.

Born in 1810, Ferdinand Barbedienne started one of the most famous 19th century artistic bronze casting companies. He died in 1892. In addition to his personal production, he worked for famous artists such as Clésinger, Carrière-Belleuse and Guillemin. Barbedienne’s production was always highly esteemed and he was, himself admired by contemporary art critics who compared him during the 1878 Universal Exhibition to a « prince of industry and the king of bronze-casting ». In the catalogue of the Exhibition, Barbedienne was considered as the leader among 19th century bronze casters, because of the exquisit quality of his bronzes.

Levillain’s works in connection

The procession, bronze low-relief plaque, Salon of 1873 (n°1766).


F. Barbedienne, Catalogue, Paris, 1880, p.17.

F. Barbedienne, Catalogue des bronzes d’art, Paris, 1891, p.18.

F. Barbedienne éditeur, G. Leblanc-Barbedienne successeurs, Bronzes et objets d’art, Paris, 1911, p.78.

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